SOI Evaluation Feedback Task

‘Realise’ Project Proposal

My project analyses timeless disparities in life, the way society creates it and needs it to function. I’m going to be exploring how the concept of ‘the other’ manifests itself through time and geography and I shall attempt to answer this through the perspective of their tragic inevitable death.

I visited the Crossbones cemetery where 16,000 bodies of women and children were buried in unmarked graves. These women were denied a proper burial by the church because they led a “life of sin” as prostitutes. This was in stark contrast to what I saw at the Brompton and Highgate cemetery. Upon researching, I found that this wasn’t the only instance of dehumanization, marginalization and erasure of identity…Bosnian War, Sri Lankan Civil War, Stalin’s Soviet Union and now when India is taking a step towards a Hindu nation

This leads me to question, why have we not broken the timeless patterns in history is inequality a fundamental need of our society? Why do we dehumanize those who do not meet our expectations/ fit societal norms? And how we group people together and rob them of their individualism

Using time based media such as frottage, videography and photography I shall visit and revisit old and new sites in UK and India and discover where it takes me.

Questions

What is the concept/idea behind your proposed project? What is unique about it?

Concept

  • Timeless disparities in life; the way society creates it and needs it to function
  • Attempting to give an identity to the dead
  • Remembering people by the grave events

Ideas

  • Dehumanization
  • Death
  • Apparitions
  • Timeless
  • Inequality
  • Individualism/Identity
  • Colonialism
  • Rejection
  • Poverty

Unique Factors

  • Idea – Exploring a timeless idea of dehumanization and marginalization
  • Technique – Frottage + Photography

What are the aims and objectives of your project?

To Question

  • Why have we not broken timeless patterns?
  • Is this a fundamental part of society and human nature or can we change it?
  • Why do we deliberately create inequality / divide people?
  • How do we dehumanize those who do not conform to our expectations?
  • Why do we group people together and the way this robs them of their individualism?

What research will you undertake? How does this research relate to your developing practice?

  • Researching historical and contemporary precedents
  • Researching similar events / people who have been denied a proper burial/cremation
  • Primary Research such as interviews and surveys
Historical PrecedentsSir John Everett Millais, Ophelia
Peter Bruegel, The Triumph of Death
James Ensor
Contemporary PrecedentsSimryn Gill, Masao Okabe, William Kentridge, Dan Eldon, Rachel Whiteread, Miroslaw Balka
Similar EventsBosnian War Graves,
Sri Lankan Civil War, Duirappa Stadium
Saddan’s Iraq
Stalin’s Soviet Union
Primary ResearchInterviews
Surveys

If you are making site-specific/ID work, how will your site inform your project?

  • Using time-based media such as frottages, on site watercolours, photography or videography while investigating/visiting and revisiting sites in Calcutta and London
  • I am going to be exploring how inequality, dehumanization, marginalization and erasure of identity manifests itself through time and geography
  • I shall also explore contemporary events

How will your experimentation from the previous project become a resolved body of work?

  • By using the process of elimination and integrating feedback into the process of developing final pieces from the experimentation
  • Analysing which aspects of the pieces from the experimentation brought me closer to what I wanted to portray
LearnedPapers/Base matters
Frottages + Photography Life drawing led to more figurative works
Synaesthesia
Working on site – watercolours, creative writing
Usage of collages (inspired by contemporary practitioners Dan Eldon and Peter Beard)
Usage of charcoal (William Kentridge) Printmaking with found objects
Not To-DoFrottage on layout paper
Declutter
Be precious with my work
Conform to a colour or a medium 
To-DoAnything which helps me get closer to my aim Frottage + (Photography), (Painting)
Printmaking
Smaller collages?
TestExpanded painting, sculptural works
Usage of lightbox
Life size or large scale pieces of work

Elevator Pitch Chart

Feedback

Time-Plan

WEEKACTIVITYMETHODS/ MATERIALS/ PROCESSESRESEARCHNOTES
Week 1 Research /develop    Maquettes and prototypes    Paper, watercolours, gouache, sketchbookJonas Dahlberg Suzanna Castleden   Materials for final works   
Christmas Break Research /develop  Visit investigative site in Kolkata – Park Street  Photography, frottage, white bed sheets, acrylic fabric paint, white sariRead Sapiens by Yuval Noah Harari   Understand the repercussions of CAA and NRC in IndiaMaterial prep for future works
Week 2 Experiment      Riso experiments, Charcoal Works   
Week 3 Refine    Sculptural works (expanded painting), Lightbox with frottages and photographsPlaster, acetate and translucent sheets Learn how to build a lightbox with frame
Week 4 Produce              
Week 5 Finish                

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